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Tosca (1995)

Opera in Three Acts

Music by Giacomo Puccini

Libretto by Giuseppe Giacosa and Luigi Illica after the drama by Victorien Sardou

English translation by Keith and Emma Warner

The first performance of Tosca was given at the Teatro Costanzi, Rome, 14 January 1900.

Festival Stage designed by Derek Mclane

Dates of Performance
May 20, 24, 26; June 1, 3, 7 (matinée), 11, 13, 17 (matinée), 22

 

1995 Season
Tosca     La Belle Helene

Armida     The Woman at Otowi Crossing

 

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Cast

Grant Youngblood
Angelotti

 

John Stephens
Donald Braswell II

 

Donald Braswell II
Mario Cavaradossi

Pamela South
Floria Tosca

 

Gerald Dolter
Baron Scarpia

 

Eric Dillner
Spoletta

 

Mark Synek
Sciarrone

 

Rebecca Langhurst
The voice of a shepherd

 

Branch Fields
A jailor

Creative Team

Stephen Lord
Conductor

 

Colin Graham
Stage Director

 

Gerard Howland
Set Designer

 

Michael Stennett
Costume Designer

 

Christopher Akerlind
Lighting Designer

Tom Watson
Wig & Makeup Designer

 

Robin VerHage-Abrams
Costume Coordinator

 

Cary John Franklin
Chorus Master

 

Mark Ferrell
Repetiteur

David Roth
Assistant Stage Director

 

Cheryl Tierney Horne
Stage Manager

 

Eric S. Millner
Assistant Stage Manager

 

David S. Levy
Assistant Stage Manager

Synopsis

The Church of Sant’ Andrea della Valle.

Angelotti, Republican consul of Rome, condemned to death by the Royalist regime, has escaped from prison and takes cover in the church where his sister, the Marchesa d’Attavanti, has left him a disguise for his escape. He is discovered by Mario Cavaradossi, a liberal sympathizer who is painting an altarpiece for the church. They are disturbed first by Floria Tosca, Cavaradossi’s lover, who recognizes the blonde, blue-eyed model for Mario’s Magdalena as none other than the Marchesa herself. Tosca jealously insists that the figure be made to look more like her dark-eyed self.

Soon after she has left, a cannon shot from the Fortress Sant’Angelo announces Angelotti’s escape and Cavaradossi hurries him away to hide in his country villa. The Sacristan tells the choir of the great victory over Napoleon at Marengo which will be celebrated with a High Mass. Their jubilation is interrupted by Scarpia and his henchmen who come to search for Angelotti, knowing that his family’s chapel is in this church. Just as Scarpia finds a fan with the Attavanti crest, part of the disguise left for Angelotti, Tosca returns to tell Mario that she must sing that night for the Queen at the victory celebration at the Palazzo Farnese. Scarpia uses her jealousy to sow seeds of doubt about a possible relationship between her lover and the Marchesa; as Iago used a handkerchief to manipulate Othello, he will trap Tosca with the Marchesa’s fan.

The Farnese Palace, Scarpia’s apartments. That evening.

Scarpia desires Tosca and hopes to use the arrest of her lover to ensnare her. While he awaits Spoletta’s return from the Cavaradossi villa he eats his supper to the music of Tosca’s voice rising from the Queen’s chambers below. Spoletta has not found Angelotti but has arrested Cavaradossi as a suspect. Tosca, too, has been to the villa and has discovered that Scarpia lying about Mario’s infidelity but her lover’s screams from the torture-chamber force her to reveal Angelotti’s hiding place.

Scarpia promises Tosca that if she will yield to him he will give them both safe-conduct from Rome, but for political reasons, there must be a simulated execution. With this arranged, he claims his price, but Tosca stabs him with a knife from the dinner table and escapes with the safe-conduct.

The battlements of the Fortress Sant’Angelo. Dawn.

Cavaradossi awaits his execution, remembering that the same stars smiled down on his first night with Tosca.

She brings the safe-conduct and explains that the execution will be only a charade. Mario is shot by the squad and Tosca discovers that even after death, Scarpia has betrayed her; but she has taken revenge in advance of the deed. Pursued by Scarpia’s minions who have discovered his corpse, she jumps off the parapet death, calling on Scarpia to stand with her before the Throne of Judgment.

This production is made possible by a major gift from Emerson Electric Co. whose continuing generosity is greatly appreciated.

The services of the Saint Louis Symphony Orchestra are underwritten in part by a generous grant from the Bryant Group, Inc.

The appearance of Stephen Lord as conductor is supported by a generous gift from Mr. and Mrs. William B. McMillan, Jr.

The costumes are underwritten by a generous gift from Marjorie Wyman.

The special preview presentation of Tosca for St. Louis area seniors was made possible by Southwestern Bell Foundation.

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