The Turn of the Screw (1980)
Opera in a Prologue and Two Acts
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Used by arrangement with Boosey & Hawkes, Inc. publisher and copyright owner
First performed in Venice, September 14. 1954
Dates of Performance
June 12, 14, 18, 20
1980 Season
The Magic Flute   Falstaff
Fact or Fiction   The Seven Deadly Sins
Photo Gallery
Cast
Neil Rosenshein
The Prologue
Sheri Greenawald
The Governess
Beverly Hoch
Flora
Peter McDowell
Miles
Judith Christin
Mrs. Grose
Neil Rosenshein
Quint
Marianna Christos
Miss Jessel
Creative Team
 C. William Harwood
Conductor
Colin Graham
Stage Director
Maxine Willi Klein
Scenic Director
John Carver Sullivan
Costume Designer
Arden Fingerhut
Lighting Designer
Maxine Will Klein
Projection Artwork
Meryl Joseph
Projections and Photographs
Synopsis
Scene i: The Journey
Scene ii: The Welcome
Scene iii: The Letter
Scene iv: The Tower
Scene v: The Window
Scene vi: The Lesson
Scene vii: The Lake
Scene viii: At Night
The story is found in the diary of a young governess, and is told from her point of view The setting is Bly, a country house in England, to which she comes to take charge of two children, Miles and Flora. The Prologue tells how she was engaged by the children’s guardian, who left instructions that he was not to be bothered with any of their problems.
In Act I, the situation seems at first to be happy and tranquil. When a letter arrives from Miles’s school, announcing his expulsion, the Governess decides to say nothing about it, but to look after him herself at Bly Some time thereafter, she sees a strange man about the house- on a tower, by the window- and from her description of him, Mrs. Grose, the housekeeper, identifies him as Peter Quint, a former manservant who has recently died. According to Mrs. Grose, both Quint and Miss Jessel (the former Governess, also dead) exerted a bad influence over the children. The Governess, seeing Miss Jessel by the lake where she drowned herself, becomes convinced that the ghosts have returned to possess the children. She and Mrs. Grose thereupon become allies in the struggle to protect them. But the true menace is not clear until the Governess realizes that Miles and Flora are deceiving her with their songs and games. They already know of the ghosts’ presence.
Scene i: Colloquy and Soliloquy
Scene ii: The Bells
Scene iii: Miss Jessel
Scene iv: The Bedroom
Scene v: Quint
Scene vi: The Piano
Scene vii: Flora
Scene viii: Miles
At the beginning of Act II, Quint and Miss Jessel reveal themselves in the Governess’ dreams. She is now sure that the children are in touch with the ghosts, but cannot extract from either of them the confession she feels would save them. In horror at realizing that Miles knows as much as she does, or more, but unable to deal with the situation, the Governess decides to leave Bly Her impulse changes, however, when she sees Miss Jessel in the schoolroom, and she writes a letter imploying help from the children’s guardian. Miles’s dazzling display at the piano the next day gives his sister a chance to slip away to Miss Jessel. When Flora is discovered by the lake, and challenged to admit Miss Jessel’s presence, her outburst of hatred causes her to be removed to London with Mrs. Grose. In her dreams that night, she pours out her soul to the doubting housekeeper, who is thus at last convinced of the presence of the ghosts, and Miss Jessel’s influence is dispelled Left alone with Miles, the Governess forces him to confess that he has stolen her letter to the children’s guardian, but Quint reappears to do battle for the boy’s soul. With Miles’s cry, “Peter Quint, you devil!” the Governess achieves her aim, but at the moment of her triumph, the boy dies in her arms.
 The costumes. sets. and stage properties of this production of The Turn of the Screw have been provided by a deeply appreciated gift from Mr. & Mrs. Rudolph W Driscoll.
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