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The Tale of Orpheus (1997)

A Drama in Five Acts

Music by Claudio Monteverdi

Libretto by Alessandro Striggio II

English translation by Anne Ridler

The opera is given in the edition by John Eliot Gardiner, by arrangement with G. Schirmer, Inc., agent for Chester Music, publisher and copyright owner. The English translation by Anne Ridler is used by arrangement with Boosey & Hawkes, Inc., agent for Faber Music, Ltd., publisher and copyright owner.

The opera was first performed at the ducal palace of Mantua on 24 February 1607.

Dates of Performance
June 17, 19, 21, 25, 27

 

1997 Season
Madame Butterfly     Così fan tutte

Transformations     The Tale of Orpheus

 

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Cast

Theresa Santiago
Music I Hope

 

Paul Kirby
First Shepherd

 

Julie A. Bartholomew
First Nymph

 

Johnny Maldonado
Third Shepherd

 

David Blackburn
Second Shepherd

 

Michael Zegarski
Fourth Shepherd

 

Karen Frankenstein
Nymph

Rachel Mondanaro
Nymph

 

Jeffrey Picón
A Shepherd

 

Gregory Turay
Orpheus

 

Tonna Miller
Eurydice

 

Julia Anne Wolf
Sylvia

 

Donald Sherrill
Charon

 

Jeanine Bowman
Proserpina

Edward Russell
Pluto

 

Johnny Maldonado
First Spirit

 

David Blackburn
Second Spirit

 

T. Steven Smith
Third Spirit

 

Jeffrey Picón
Echo

 

Anthony Rolfe Johnson
Apollo

Creative Team

Anthony Rolfe Johnson
Conductor

 

Colin Graham
Stage Director

 

Derek McLane
Set Designer

 

Martin Pakledinaz
Costume Designer

Christopher Akerlind
Lighting Designer

 

Victoria Morgan
Choreographer & Assistant Director

 

Tom Watson
Wig & Makeup Designer

 

John Gibbons
Associate Conductor

Stephen Dubberly
Repetiteur

 

John W. Coleman
Stage Manager

 

David S. Levy
Assistant Stage Manager

 

Carrie Ann Neuzerling
Assistant Stage Manager

Synopsis

Music herself introduces a drama controlled by the very power of music: it is the story of Orpheus, who conquered the underworld with his singing and playing.

Orpheus and Eurydice celebrate their wedding with their friends; the reluctant Eurydice has finally yielded to Orpheus’s entreaties. They go to the temple to give thanks for their happiness.

Later, Sylvia comes to break the terrible news of Eurydice’s death: she has been bitten by a serpent. Orpheus resolves to follow her to the underworld.

Hope accompanies Orpheus to the gates of Hades but must leave him when they see the sign: Abandon hope all ye who enter here. Orpheus is unable to persuade Charon to ferry him across the River Styx but steals his boat after charming him into sleep.

Spirits at first prevent Orpheus from entering the Courts of Hades, but Proserpina — who had suffered a fate similar to that of Eurydice but fell in love with her seducer, the King of Hades — is moved by Orpheus’s music and persuades Pluto to allow Eurydice to return to the upper world with her husband.

Pluto makes the condition that Orpheus must not look upon Eurydice until they reach the upper world. Both are filled with doubts and, when Pluto, unwilling to relinquish the beautiful Eurydice, causes a violent disturbance behind them, Orpheus cannot resist looking to see if Eurydice is safe. As he looks into her eyes, their one moment of happiness vanishes even as it occurs, and Eurydice is forced to return to the underworld.

Echo joins in Orpheus’s lament as he vows never to love another woman. Apollo, his father, appears and invites him to renounce earthly joys and sorrows and to enter the heavens, where he will enjoy not only the image of Eurydice in the stars but also peace and joy — the true rewards of virtue.

Colin Graham

This production is underwritten by a major gift from Mr. and Mrs. Raymond H. Wittcoff, whose continuing generosity is greatly appreciated. Opera Theatre also extends particular thanks to the Anonymous Donor whose steadfast support and loyalty have had a profound impact on the company.

Anthony Rolfe Johnson’s appearance as conductor is sponsored by The Edward Chase Garvey Memorial Foundation.

The services of the Saint Louis Symphony Orchestra are underwritten by a major gift from Sally S. Levy, with additional support from Mr. and Mrs. Harvard K. Hecker to underwrite early instruments for the production.

Scenic design by Derek McLane is partially underwritten by the Dr. Alvin R. Frank Memorial Fund.

The special preview presentation of The Tale of Orpheus for St. Louis area seniors and students was made possible by the Southwestern Bell Foundation.

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