The Tale of Orpheus (1997)
A Drama in Five Acts
Music by Claudio Monteverdi
Libretto by Alessandro Striggio II
English translation by Anne Ridler
The opera is given in the edition by John Eliot Gardiner, by arrangement with G. Schirmer, Inc., agent for Chester Music, publisher and copyright owner. The English translation by Anne Ridler is used by arrangement with Boosey & Hawkes, Inc., agent for Faber Music, Ltd., publisher and copyright owner.
The opera was first performed at the ducal palace of Mantua on 24 February 1607.
Dates of Performance
June 17, 19, 21, 25, 27
1997 Season
Madame Butterfly   Così fan tutte
Transformations   The Tale of Orpheus
Photo Gallery
Cast
Theresa Santiago
Music I Hope
Paul Kirby
First Shepherd
Julie A. Bartholomew
First Nymph
Johnny Maldonado
Third Shepherd
David Blackburn
Second Shepherd
Michael Zegarski
Fourth Shepherd
Karen Frankenstein
Nymph
Rachel Mondanaro
Nymph
Jeffrey Picón
A Shepherd
Gregory Turay
Orpheus
Tonna Miller
Eurydice
Julia Anne Wolf
Sylvia
Donald Sherrill
Charon
Jeanine Bowman
Proserpina
Edward Russell
Pluto
Johnny Maldonado
First Spirit
David Blackburn
Second Spirit
T. Steven Smith
Third Spirit
Jeffrey Picón
Echo
Anthony Rolfe Johnson
Apollo
Creative Team
Anthony Rolfe Johnson
Conductor
Colin Graham
Stage Director
Derek McLane
Set Designer
Martin Pakledinaz
Costume Designer
Christopher Akerlind
Lighting Designer
Victoria Morgan
Choreographer & Assistant Director
Tom Watson
Wig & Makeup Designer
John Gibbons
Associate Conductor
Stephen Dubberly
Repetiteur
John W. Coleman
Stage Manager
David S. Levy
Assistant Stage Manager
Carrie Ann Neuzerling
Assistant Stage Manager
Synopsis
Music herself introduces a drama controlled by the very power of music: it is the story of Orpheus, who conquered the underworld with his singing and playing.
Orpheus and Eurydice celebrate their wedding with their friends; the reluctant Eurydice has finally yielded to Orpheus’s entreaties. They go to the temple to give thanks for their happiness.
Later, Sylvia comes to break the terrible news of Eurydice’s death: she has been bitten by a serpent. Orpheus resolves to follow her to the underworld.
Hope accompanies Orpheus to the gates of Hades but must leave him when they see the sign: Abandon hope all ye who enter here. Orpheus is unable to persuade Charon to ferry him across the River Styx but steals his boat after charming him into sleep.
Spirits at first prevent Orpheus from entering the Courts of Hades, but Proserpina — who had suffered a fate similar to that of Eurydice but fell in love with her seducer, the King of Hades — is moved by Orpheus’s music and persuades Pluto to allow Eurydice to return to the upper world with her husband.
Pluto makes the condition that Orpheus must not look upon Eurydice until they reach the upper world. Both are filled with doubts and, when Pluto, unwilling to relinquish the beautiful Eurydice, causes a violent disturbance behind them, Orpheus cannot resist looking to see if Eurydice is safe. As he looks into her eyes, their one moment of happiness vanishes even as it occurs, and Eurydice is forced to return to the underworld.
Echo joins in Orpheus’s lament as he vows never to love another woman. Apollo, his father, appears and invites him to renounce earthly joys and sorrows and to enter the heavens, where he will enjoy not only the image of Eurydice in the stars but also peace and joy — the true rewards of virtue.
Colin Graham

This production is underwritten by a major gift from Mr. and Mrs. Raymond H. Wittcoff, whose continuing generosity is greatly appreciated. Opera Theatre also extends particular thanks to the Anonymous Donor whose steadfast support and loyalty have had a profound impact on the company.
Anthony Rolfe Johnson’s appearance as conductor is sponsored by The Edward Chase Garvey Memorial Foundation.
The services of the Saint Louis Symphony Orchestra are underwritten by a major gift from Sally S. Levy, with additional support from Mr. and Mrs. Harvard K. Hecker to underwrite early instruments for the production.
Scenic design by Derek McLane is partially underwritten by the Dr. Alvin R. Frank Memorial Fund.
The special preview presentation of The Tale of Orpheus for St. Louis area seniors and students was made possible by the Southwestern Bell Foundation.

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