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The Tale of Genji (2000)

Opera in Two Acts

World Premiere

Commissioned by Opera Theatre of Saint Louis

Music by Minoru Miki
Libretto by Colin Graham adapted from the book by Lady Murasaki Shikibu (c.1000 AD)

Dates of Performance
June 15, 17, 21, 23, 25

 

2000 Season
Treemonisha     La Traviata

Radamisto     The Tale of Genji

 

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Cast

Andrew Wentzel
The Old Emperor

 

Elisabeth Comeaux
Fujitsubo

 

Mel Ulrich
Prince Genji

 

Cheryl Evans*
Lady Rokujo

 

Richard Troxell
To-no-Chujo

Josepha Gayer
Kokiden

 

Elisabeth Comeaux
Murasaki

 

Josepha Gayer
Shonagon

 

Jessica Miller
Aoi

Carleton Chamber
Suzaku

 

Eric Jordan
Koremitsu

 

Andrew Wentzel
The old recluse of Akashi

 

Cheryl Evans*
The lady of Akashi

*Company Debut

Instrumentalists

Yang Jing*
Pipa/Qin

Reiko Kimura*
Koto

*Company Debut

Creative Team

Steuart Bedford
Conductor

 

Colin Graham
Stage Director

 

Setsu Asakura
Set & Costume Designer

 

Kikushiro Onoe
Choreographer

 

Christopher Akerlind
Lighting Designer

 

Tim Ocel
Associate Director

Jun Matsuno
Associate Designer

 

Robin VerHage-Abrams
Associate Director

 

Tom Watson
Wig & Makeup Designer

 

Cary John Franklin
Chorus Master

 

Kathryn LaBouff
English Diction Specialist

 

Curt Pajer
Repetiteur

Eda Holmes
Assistant to the Director & Choreographer

Yoshimi Fukuzawa
Interpreter / Translator

 

Gretchen Mueller
Stage Manager

 

Patrick Siler
Assistant Stage Manager

 

Terry Lee
Intern Assistant Stage Manager

*Company Debut

Synopsis

The action of the opera takes place in Kyoto, the island of Suma, and the bay of Akashi, in the Heian period, eleventh century.

During a court festivity, the Old Emperor introduces the characters of the story, including his favorite son, Prince Genji, “the Shining One,” and the women in Genji’s life: Fujitsubo (the Emperor’s favorite wife), the Lady Rokujo (Genji’s first affair), and Aoi, his wife since childhood in a loveless marriage.

Since his mother was a concubine and not an official wife, Genji cannot succeed to the throne. He becomes notorious for his many affairs, searching in each woman for the image of his late mother. His son by Fujitsubo (the woman who most resembles his mother and for whom he deserted the jealous Rokujo) has been accepted by the Emperor, who is seemingly unaware that the child is not his own.

Genji’s chief opponent at court is Kokiden, another official wife of the Emperor, whose son, Suzaku, will succeed to the throne. During a nocturnal outing with his brother-in-law, To-no-Chujo, Genji discovers a young girl, Murasaki, who resembles both his mother and Fujitsubo. A scandal ensues when he secretly introduces her into his household under the nose of Aoi, his estranged but devoted wife.

Aoi falls ill and is ultimately driven to her death by the vengeful spirit of Rokujo. When Genji reproaches Rokujo, she is horrified by what she has done and resolves to enter a convent. However, before leaving, she lays a curse on Genji: if he is ever unfaithful to the woman he ultimately marries, her spirit will return to destroy them both.

Despite the scandal he has caused, Genji marries Murasaki. Kokiden uses this, along with the disappearance of Rokujo, to convince the new Emperor, Suzaku, to banish Genji from court. Exiled to a distant and lonely shore, Genji and Murasaki can only sustain their love through letters.

In a dream, his late father, the Old Emperor, commands Genji to set sail for the Bay of Akashi. There, he is befriended by an old recluse. Separated for so long from Murasaki, Genji finds himself drawn to the recluse’s beautiful daughter, who bears a striking resemblance to Lady Rokujo. Unable to resist, he seduces her.

Meanwhile, Emperor Suzaku interprets the endless storms over Edo as signs of the gods’ displeasure at Genji’s exile. He overrides Kokiden’s objections and recalls Genji to court, naming him Regent to Fujitsubo’s son, in whose favor Suzaku now abdicates.

Although Genji now has a daughter by the Lady of Akashi, he chooses to return alone to Edo—to Murasaki. But the spirit of Rokujo exacts her final revenge, destroying the lives of the two women he loves most: Fujitsubo and Murasaki.

On the eve of his glorious elevation to the Regency, Genji sees his entire life pass before him and realizes that his selfish desires have caused suffering to those he loved. Burdened by grief, he takes his place in glory by the side of his son, the new Emperor.

This production is generously underwritten by Rudolph W. Driscoll and OTSL’s Driscoll Endowment for Contemporary Opera.

An anonymous donor has generously supported the commissioning and production of The Tale of Genji.

Major support has also been provided by: The Andrew W. Mellon Foundation, AT&T Foundation, Whitaker Foundation.

Support for the engagement of Japanese artists was provided by The Japan Foundation, Asian Cultural Council, The Arts Plan 21 of Japan Cultural Agency, The Mitsubishi Trust, Foundation for the Arts, and Rohm Music Foundation.

The libretto by Colin Graham for The Tale of Genji was underwritten by a generous gift from Joan F. Richman.

Additional support was provided by Emily Rauh Pulitzer and American Express Company.

The preview presentation of The Tale of Genji for St. Louis area students and seniors was made possible by Southwestern Bell Foundation.

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