The Seven Deadly Sins (1980)
Opera-Ballet in One Act
Music by Kurt Weill
Libretto by Bertolt Brecht
English translation by W. H. Auden and Chester Kallman Used by arrangement with European American Music, sole U.S. agent for B. Schott’s Söhne, publisher and copyright owner
First performed in Paris, June 7, 1933
Dates of Performance
June 4, 7, 10, 13, 19, 21
1980 Season
The Magic Flute   Falstaff
Fact or Fiction   The Seven Deadly Sins
Photo Gallery
Cast
Elaine Bonazzi
Anna I
Jennifer Donohue
Anna II
Michael Myers
Father
David O’Dell
Brother
Robert Remington
Brother
Steven Alexus Williams
Mother
Stephen Koester
Dancer
Rhonda Michelle Moore
Dancer
Terry Creach
Dancer
Diane Chavan
Dancer
Creative Team
Randall Behr
Conductor
James Cunningham
Stage Director and Choreographer
Timothy Jozwick
Scenic Designer
John Carver Sullivan
Costume Designer
Arden Fingerhut
Lighting Designer
Synopsis
PROLOGUE
No. 1 Sloth
No. 2 Pride
No. 3 Anger
No. 4 Gluttony
No. 5 Lust
No. 6 Covetousness
No. 7 Envy
EPILOGUE
The opera takes place over a period of seven years, in modern times.
Anna I and her sister, Anna II, have beer packed off by their God-fearing family in Louisiana to seek their fortune in the wicked world. In the Prologue, the talkative Anna I explains that she and her sister are in fact one divided being, whose contrasting personalities make up one whole person Anna I (soprano) is a s1eely realist, never at a loss; her alter ego, Anna II (dancer) is a dreamy idealist, naive to the ways of the world. They make their way through seven cities, each a rung on the ladder to success. Each city represents one of the traditional seven deadly sins – but with a twist The only real sin for the Annas’ middle-class family is failure to climb the social scale, and so the whole catalogue of “sins” is turned upside down. Thus, sloth is the failure to keep your nose to the grindstone: pride, the refusal to compromise in order to get ahead. and so on. Anna II is a stick-in-Ire-mud, but urged on by the cool-headed reason of her sister and buttressed by the moralizing interjections of the family back home, she learns how to play the game of worldly success. Their fortune made, the two Annas return to their “little home beside the Mississippi.”
James Cunningham’s Acme Company appears through the generosity of the following Opera Guild Benefactors and Associates:
Mrs. Harris Armstrong, Mr. & Mrs. Walter Brissendon, Mr. & Mrs. Dan Broida, Mr. & Mrs. Thomas C. Coleman, Mr. Rudolph W. Driscoll, Jr., Mr. & Mrs. Ernest A. Eddy, Jr , Mr. & Mrs. J. Gabriel, Mr. & Mrs. Fielding Holmes, Mrs. Homer V. Howes, Mrs. A. C. Ingersoll, Mr. R. Knight, Mrs. L. M. Lippman, Mr. Joseph Losos, Mrs. Robert S McDorman, Mr. & Mrs. Robert Scharff, Mrs. Anne Davis Streett, Mrs. Monte Throdahl.
Additional funding is provided by the National Endowment for the Arts.
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