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The Secret Marriage (2004)

Comedy in Two Acts

Music by Domenico Cimarosa

Libretto by Giovanni Bertati, after the play The Clandestine Marriage by George Colman and David Garrick

English version by Simon Rees

By arrangement with Hendon Music Inc., a Boosey & Hawkes Company, Sole Agent in the US, Canada, and Mexico for Casa Ricordi – BMG Ricordi S.p.A., Milan, a BMG Editions Company, publisher and copyright owner.

The first performance was given at the Burgtheater, Vienna, on February 7, 1792.

Dates of Performance
???

 

2004 Season
Carmen     Cavalleria Rusticana

Sister Angelica     The Secret Marriage

Nixon in China

 

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Cast

Jeffrey Picón
Paolino

 

Sari Gruber
Carolina

David Evitts
Don Geronimo

 

Christina Brandes*
Elisetta

Phyllis Pancella
Fidalma

 

Carleton Chambers
Lord Robinson

*Company Debut

Creative Team

John Glover
Conductor

 

Colin Graham
Stage Director

 

Sanghee Moon*
Set Designer

 

June Greenwood
Costume Designer

Mark McCullough
Lighting Designer

 

Tom Watson
Wig & Makeup Designer

 

Erie Mills
English Diction Specialist

 

Jennifer Peterson*
Repetiteur

Rory Collins*
Assistant Stage Director

 

Sherrie Dee Brewer
Stage Manager

 

Tomer Zvulun
Assistant Stage Manager

 

Miriam R. Leal*
Intern Assistant Stage Manager

*Company Debut

Synopsis

We are in the household of Geronimo, a wealthy merchant who lives on the island of Ischia. He has two daughters, Elisetta and Carolina, and a sister, Fidalma, who runs the household. He also has a young secretary, Paolino, who is secretly married to the younger daughter, Carolina.

Paolino is working to arrange a marriage contract between Elisetta and his patron, Lord Robinson, who lives in nearby Naples, hoping that as soon as the older daughter is well married, his marriage to the younger one will be acceptable to her father. The impecunious young Count is tempted by Elisetta’s substantial dowry, and Geronimo is thrilled to think that his daughter will be a Countess. Fidalma confesses to Carolina that she too is in love. Secretly, she has her eye on Paolino.

When the Count arrives, he is attracted to Carolina and is disappointed to find that she is not the one who had been offered to him. He tells Paolino that he will be content with a smaller dowry and sends him off to arrange the match. Carolina doesn’t dare tell the Count that she is married. She tries to convince him she has no desire or qualification to be a Countess, but he continues to pursue her. Elisetta accuses them both of betraying her, and the commotion attracts Fidalma, who joins Carolina in trying to calm Elisetta. Everyone tries at once to explain his or her feelings to the confused and exasperated Geronimo.

Geronimo insists that the Count must honor his contract and marry Elisetta, but the Count refuses. When he offers to accept a small dowry with Carolina’s hand instead, Geronimo is delighted to save face and money—as long as Elisetta agrees.

Paolino is distraught and throws himself on Fidalma’s mercy, but is stunned to find that she hopes to marry him; he faints. Finding Fidalma’s arms wrapped around her husband, Carolina thinks she has been betrayed, but Paolino promises that they will elope that night and take refuge in the house of a relative.

The Count tells Elisetta all his bad habits and physical defects, hoping she’ll reject him, but she stands firm—and he finally confesses that he can’t abide her. Geronimo can’t persuade her either. Fidalma suggests sending Carolina to a convent, and Geronimo agrees. Carolina is broken-hearted and tries to confess her predicament to the Count, but they are interrupted by her sister, her aunt, and her father, who are gleeful at having caught them together, and Geronimo sends Paolino off with a letter to the Mother Superior.

After a brilliant midnight finale, Paolino and Carolina finally confess they have been married for two months. Geronimo and Fidalma are furious, but the Count and Elisetta advise them to forgive the newlyweds, adding that they themselves will marry after all.

This production is made possible by a generous gift from an anonymous donor.

OTSL gratefully acknowledges Sondra and Milton Schlesinger for their generous support of this production.

Costumes are underwritten by a gift from the estate of Marjorie Wyman.

This production of The Secret Marriage is dedicated with gratitude and deep affection to the memory of Marjorie and Norman Orgel, dear friends of Opera Theatre, whose own secret marriage was the beginning of a long and happy life together.

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