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The Midnight Angel (1993)

Opera Buffa in Two Acts

Music by Wolfgang Amadeus Mozart

Libretto by Lorenzo da Ponte

English translation by Andrew Porter, commissioned by Opera Theatre of Saint Louis (1983)

Edited for the New Mozart Edition (Neue Mozart-Ausgabe) by Wolfgang Plath and Wolfgang Rehm.

By arrangement with Foreign Music Distributors for Barenreiter-Verlag, publisher and copyright owner.

The opera was first performed at the National Theatre in Prague on 28 October 1787.

The first performance of the revised version was given, by royal command, at the Burgtheater in Vienna on 7 May 1788.

Festival Stage Design by Derek McLane

Dates of Performance
May 22, 26, 28; June 3, 8, 13, 19 (matinée)

 

1993 Season
Cinderella     Don Giovanni

The Midnight Angel     Billy Budd

 

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Cast

Thomas Barrett
Leporello

 

Christine Brewer
Donna Anna

 

Christopher Robertson
Don Giovanni

Scott Wilde
The Commendatore

 

Ian de Nolfo
Don Ottavio

 

Patricia Racette
Donna Elvira

Guiping Deng
Zerlina

 

Philip Cutlip
Masetto

Creative Team

Stephen Lord
Conductor

 

Giles Havergal
Stage Director

 

John Conklin
Set Designer

 

Lewis Brown
Costume Designer

 

Christopher Akerlind
Lighting Designer

Vicki L. Blake
Choreographer

 

Tom Watson
Wig Master & Makeup

 

Cary John Franklin
Chorus Master

 

Bruce Longworth
Fencing Coach

Ben Malensek
Repetiteur

 

Kimberley S. Prescott
Stage Manager

 

Eric Millner
Assistant Stage Manager

 

Andrew Saboe
Assistant Stage Manager

Synopsis

Don Giovanni’s servant, Leporello, waits outside the house of the Commendatore while his master, disguised, tries to seduce Donna Anna, the Commendatore’s daughter. Don Giovanni is surprised and, challenged by the Commendatore, kills him, and escapes.

The next day, while Anna and Ottavio are appealing t,) Don Giovanni for help in avenging her fathers murder, she thinks she recognizes his voice as that of her seducer. Her suspicions are confirmed by the arrival of Elvira, who has been left at the altar by Giovanni and has come to demand justice – but Leporello explains that her cause is hopeless. Giovanni, he says, has seduced at least two thousand other women.

In the meantime, Giovanni tries to detach Zerlina from her new husband, Masetto; to further his cause he invites them both to a ball at his palace. Ottavio, Anna and Elvira come masked to the ball to expose Giovanni; they succeed in interrupting his rape of Zerlina, but Giovanni escapes with Leporello,

Giovanni charges places with Leporello in the hope of seducing Elvira’s maid; Elvira herself, still pursuing justice, is deceived by the exchange. Giovanni’s serenade is interrupted by the vengeful Masetto and his friends who are determined to destroy the seducer; they mistake Giovanni for Leporello whom, until he unmasks, everyone now assumes to be the object of their vengeance.

Giovanni and Leporello hide in the churchyard where they are confronted by the spectral monument of the Commendatore. Giovanni invites him to dinner and Leporello is horrified when the Statue accepts the invitation.

Anna explains to Ottavio that because of the death of her father and the horror of recent events, it is impossible for the moment to consider their marriage.

Giovanni’s supper is interrupted first by the distracted Elvira and then by the Commendatores ghost: Giovanni must either repent or be damned. Giovanni refuses to repent and is dragged to Hell. The other characters comment wryly on the situation.

Opera Theatre extends profound thanks to the anonymous donor whose generosity has made this production possible.

Sets and costumes for Don Giovanni are underwritten in part by a major gift from Sally S. Levy, to whom Opera Theatre extends special thanks for her ongoing support and encouragement.

Mr. Lord’s appearance as conductor is made possible by a gift from Mr. & Mrs. Robert L Scharff Jr.

The services of the Saint Louis Symphony Orchestra are sponsored by Dr. Gene Spector, Ms. Barbara Messing, Mr. & Mrs. David Mesker, Dr. & Mrs. Richard Shaw, Mr. & Mrs. William B. Firestone, and Mr. J. C. McLaughlin.

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