The Merry Widow (1989)
Operetta in Three Acts
Operetta by Franz Lehár and Victor Leon
Original book and lyrics by Victor Léon and Leo Stein
English book by Edmund Tracey
English lyrics by Christopher Hassall
By arrangement with European American Music Distributors Corporation, sole U.S. agent for Glocken Verlag Limited, London, publisher and copyright owner.
The Merry Widow was first performed at the Theater an der Wien, Vienna, on December 20, 1905.
Dates of Performance
May 27, 31; June 2, 10, 13, 17 (matinée)
1989 Season
The Merry Widow   Werther
King Arthur   Under the Double Moon
Photo Gallery
Cast
Roger A. Havranek
Baron Mirko Zeta
Stella Zambalis
Valencienne
John LaPierre
Camille de Rossillon
Lawrence Mudd
Vicomte Cascada
Gale Oxley
Raoul de St. Brioche
Joseph A. Fosselman
Bogdanovitch
Rebecca Abram
Sylviane
Robert W. Reed
Kromov
Kristine Jepson
Olga
Fredric Scheff
Pritschchitsch
Rhonda Mcfee
Praskovia
Brendan Burke
Njegus
Carol Gale
Hanna Glavari
Louis Otey
Hanna Glavari
Janie L. Ohmes
“Dodo”
Carol Bell
“Clo Clo”
Colleen McCarthy
“Margot”
Ron Schiaffo
Major-Domo at the Embassy
Creative Team
Hal France
Conductor
Richard Cottrell
Stage Director
John Conklin
Set Designer
David Collis
Costume Designer
Kimberly Mackin
Choreographer
Robert Wierzel
Lighting Designer
Cary John Franklin
Chorus Master
Barbara Donner
Stage Manager
Jenny Wells
Assistant Stage Manager
Tom Watson
Wig Master & Makeup
Ben Malensek
Repetiteur
Synopsis
The staff of the Paris embassy of the mythical state of Pontevedro is trying desperately to save the ailing economy of their country. Hanna, the “Merry Widow” of the title, has been left a fortune of twenty million proubles by her elderly husband, the Pontevedrian millionaire Glavari. This naturally makes her eminently marriageable, and at her entry on the scene in Paris she is followed by a host of eager French suitors.
Baron Zeta, the Pontevedrian ambassador, however, has been told by his foreign minister that the balance of payments in Pontevedro depends entirely on the Glavari fortune, and that Hanna must therefore marry a Pontevedrian. Zeta’s choice falls, not unnaturally, on the most eligible member of his staff, his first secretary, Count Danilo, whose name has been linked romantically with Hanna’s in the past.
The flames of this romance are far from dead, but Danilo (who believes that Hanna deserted him for the wealth of her elderly husband) prefers to drown his sorrows in the attractions of Paris nightlife, and any call on his sense of national duty falls on deaf ears. Besides, both he and Hanna (who, in her turn, believes that Danilo refused for reasons of snobbery to marry her himself) have their pride to look after, and cannot possibly allow themselves to capitulate to each other’s irresistible charm without a brave struggle for independence…
The sets and costumes have been underwritten with proceeds from the St. Louis Opera Guild’s spring gala, “The Merry Widow at Maxim’s.” Opera Theatre gratefully acknowledges the support of sponsors and patrons.
The special matinee presentation of THE MERRY WIDOW for St. Louis area senior citizens was made possible by a major grant from The Southwestern Bell Foundation.
The soloists are sponsored by a generous gift from Bryant Group, Inc.
The conductor is sponsored by a deeply appreciated gift from The Edward Chase Garvey Memorial Foundation.
The services of the St. Louis Symphony have been funded by Mrs. Clark R. Gamble.
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