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Rigoletto (2005)

Opera in Three Acts

Music by Giuseppe Verdi

Libretto by Francesco Maria Piave after Victor Hugo’s play Le Roi s’amuse

English translation by Andrew Porter.

The first performance of Rigoletto was given at Teatro alla Fenice, Venice, 11 March 1851.

First performed by Opera Theatre 23 May 1981.

Dates of Performance
???

Fix teh Rigoletto

2005 Season
Rigoletto     Cavalleria Rusticana

Sister Angelica     The Secret Marriage

Nixon in China

 

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Cast

John Bellemer
The Duke of Mantua

 

Daniel Gerdes*
Borsa

 

Karen Ruth Sprung*
Countess Ceprano

 

Chen-Ye Yuan
Rigoletto

 

Jordan Bisch*
Count Ceprano

C. Phillip Dothard
Marullo

 

Steven Condy*
Count Monterone

 

Morris D. Robinson
Sparafucile

 

Ying Huang
Gilda

Jennifer Powell
Giovanna

 

Kristen Forrest Leich*
A page

 

Charles Unice*
An official of the court

 

Nicole Piccolomini
Maddalena

*Company Debut

Creative Team

Richard Buckley
Conductor

 

Charles Newell*
Stage Director

 

John Culbert*
Set Designer

 

Martin Pakledinaz
Costume Designer

 

Jay Goodlett*
Choreographer

Mark McCullough
Lighting Designer

 

Tom Watson
Wig & Makeup Designer

 

Sandra Horst
Chorus Master

 

Ben Malensek
English Diction Specialist

 

Miah Im*
Repetiteur

Garnett Bruce*
Assistant Stage Director

 

Peggy Stenger
Stage Manager

 

Kenneth Chapman
Assistant Stage Manager

 

Katie Luchtefeld
Intern Assistant Stage Manager

*Company Debut

Synopsis

At the court of Mantua, no woman is safe from seduction by the young Duke, and no husband is safe from the taunts of Rigoletto, his jester. Count Monterone attacks the Duke for seducing his daughter and curses both the Duke and Rigoletto as he is taken to prison. Knowing the ways of the world, Rigoletto keeps his own beautiful daughter, Gilda, hidden at home, but the word is out. Marullo and the courtiers assume she must be his mistress and plan to kidnap her; they do not know that the Duke, disguised as a student, “Gualtier Malde,” has already declared his love for her.

On his way home that night, Rigoletto is troubled by Monterone’s curse. He is accosted by Sparafucile, who offers his services as an assassin. Rigoletto muses on their different modes of killing—by the knife or the spoken word.
Gilda has not confessed her love for “Gualtier Malde” to her father. The courtiers deceive Rigoletto into thinking they are going to break into Ceprano’s house next door; they blindfold him and carry Gilda away to the palace. Rigoletto realizes too late that Monterone’s curse is taking effect.

The courtiers gloat over their success; the Duke exults that Gilda is in his power. Rigoletto suffers the courtiers’ mockery and realizes what has happened when Gilda, distraught and ruined, runs into his arms. She tries in vain to turn her father’s thoughts away from vengeance.

Rigoletto has hired Sparafucile to murder the Duke when he comes to visit Maddalena at Sparafucile’s house. Maddalena, unaware of the Duke’s identity, falls for him and bargains with her brother to kill the next visitor to their inn instead.

Gilda, dressed as a boy, has agreed to flee Mantua with her father; they both witness the Duke’s faithlessness as he seduces Maddalena. When, at the height of the storm, he goes with Maddalena into her bedroom, Gilda, still in love with him and knowing what the assassins have planned, is determined to save her lover and demands admittance to the inn.

Sparafucile stabs her and hands the body over to Rigoletto in a sack, but at that moment, the Duke’s voice is heard serenading Maddalena. Rigoletto’s worst fears are confirmed. Gilda dies in his arms—Monterone’s curse has been fulfilled.

This production is made possible by a major gift from MasterCard International Inc.

The services of the Saint Louis Symphony Orchestra are underwritten in part by Mr. & Mrs. William B. Firestone, Mr. & Mrs. Paul A. Lux, Mr. & Mrs. David W. Mesker, Mr. & Mrs. Robert L. Scharff, Jr., and Dr. & Mrs. Gene W. Spector.

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