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Peter Grimes (1990)

An Opera in Three Acts and Prologue

Music by Benjamin Britten

Words by Montagu Slater derived from the poem “The Borough” by George Crabbe (1809)

By arrangement with Boosey and Hawkes, Inc., publisher and copyright owner.

Peter Grimes was commissioned by The Koussevitsky Music Foundation and dedicated to Natalie Koussevitsky. It was first performed by Sadler’s Wells Opera Company, at Sadler’s Wells Theatre, London, on June 7, 1945.

Dates of Performance
May 26, 30; June 1, 7 (45th anniversary of the first performance), 10, 16 (matinée), 23

 

1990 Season
Peter Grimes     The Marriage of Figaro

The Daughter of the Regiment     The Devil and Kate

 

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Cast

Gregory Stapp
Hobson

 

James Scott Sikon
Swallow

 

Martin Thompson
Peter Grimes

 

Ned Keene
Richard Rebilas

 

John M. Sullivan
The Reverend Horace Adams

 

Matthew Lord
Bob Boles

Sheila Nadler
Auntie

 

Jeanine Thames
Her “Niece”

 

Kathleen Fogarty
Her “Niece”

 

Laura Brooks Rice
Mrs. (Nabob) Sedley

 

Christine Brewer
Ellen Orford

 

Harlan Foss
Captain Balstrode

G. Bradley Garvin
An old fisherman

 

Isaac Harper
John

 

Fredric Scheff
A Lawyer

 

Mary Ann McCormick
Fishwife

 

Emily Magee
Fishwife

Creative Team

Kenneth Kiesler
Conductor

 

Colin Graham
Stage Director & Set Designer

 

John Carver Sullivan
Associate Designer

 

Marie Anne Chiment
Costume Designer

Robert Wierzel
Lighting Stage

 

Donald Palumbo
Chorus Master

 

Marta Brennan
Assistant Director

 

Kevin Herr
Stage Manager

Jenny Wells
Assistant Stage Manager

 

Jennifer Siekert
Assistant Stage Manager

 

Tom Watson
Wig Master & Makeup

 

Dean Williamson
Repetiteur

Synopsis

A request made by the Composer in the program for the world premiere in 1945: The Management would be grateful if applause were reserved until after the final scene of each act, as the musical action is continuous.

The action takes place in the nineteenth century in The Borough (now known as Aldeburgh, or The Old Borough), a small fishing town on the east coast of England.

The Sea Interludes between each scene are intended to be psychologically descriptive as well as meteorological and each serves as a musical introduction to the following scene.

 

PROLOGUE

An inquest in the Moot Hall into the death of Grimes’s previous apprentice. Ellen offers Peter her support.

 

ACT ONE

Interlude 1: Dawn
On the Borough beach, a few days later, in spite of the Borough’s objections, Ellen volunteers to fetch Peter’s new apprentice from the workhouse. Balstrode tries to persuade Peter to marry Ellen and leave the Borough, but Peter’s pride forbids him to consider this.

Interlude 2: The storm
The townsfolk, including Peter whose visionary outburst arouses their unease, take refuge in Auntie’s pub, ” The Boar.” W hen Ellen and Hobson bring Peter’s new apprentice to him, the unease rises to an extreme antagonism.

 

ACT TWO

Interlude 3: Sunday morning
During church, Ellen (wrongly) accuses Peter of mistreating John, his apprentice. Peter cannot bear her apparent betrayal and their argument gives rise to a public demand for an explanation of Grimes’s ” exercise.” Spurning the women, the men go to seek him out.

Interlude 4:
A Passacaglia leads the way to Peter’s hut, where Peter arrives first with the boy. Peter has seen a large shoal they are to fish for, but the psychological shock of Ellen’s betrayal causes disturbing memories of his first apprentice’s death and his mind begins to fragment. The Borough’s arrival distracts Peter as he helps John to climb down the cliff, and the boy falls to his death.

 

ACT THREE

Interlude 5: Moonlight
A dance is in progress in the Moot Hall and the inebriated excitement turns too easily into a ferocious manhunt when Mrs. Sedley dis- closes what she has overheard from Ellen and Balstrode: Peter has returned, and the boy is not with him.

Interlude 6: Fog and judgment
Peter, hounded by guilt, betrayal and the manhunt, is completely deranged. Balstrode’s apparent betrayal is the final stroke and Peter puts out to sea with the intention of drowning himself. As dawn breaks, life in the Borough resumes as if nothing of any consequence had happened.

The sets, costumes and stage properties for PETER GRIMES have been underwritten by a major grant from the AT&T Foundation.

Opera Theatre is deeply grateful to Mr. & Mrs. Raymond Wittcoff form under writing the soloists for this production.

The services of the Saint Louis Symphony have been made possible by a much appreciated gift from Sally S. Levy.

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