Peter Grimes (1990)
An Opera in Three Acts and Prologue
Music by Benjamin Britten
Words by Montagu Slater derived from the poem “The Borough” by George Crabbe (1809)
By arrangement with Boosey and Hawkes, Inc., publisher and copyright owner.
Peter Grimes was commissioned by The Koussevitsky Music Foundation and dedicated to Natalie Koussevitsky. It was first performed by Sadler’s Wells Opera Company, at Sadler’s Wells Theatre, London, on June 7, 1945.
Dates of Performance
May 26, 30; June 1, 7 (45th anniversary of the first performance), 10, 16 (matinée), 23
1990 Season
Peter Grimes   The Marriage of Figaro
The Daughter of the Regiment   The Devil and Kate
Photo Gallery
Cast
Gregory Stapp
Hobson
James Scott Sikon
Swallow
Martin Thompson
Peter Grimes
Ned Keene
Richard Rebilas
John M. Sullivan
The Reverend Horace Adams
Matthew Lord
Bob Boles
Sheila Nadler
Auntie
Jeanine Thames
Her “Niece”
Kathleen Fogarty
Her “Niece”
Laura Brooks Rice
Mrs. (Nabob) Sedley
Christine Brewer
Ellen Orford
Harlan Foss
Captain Balstrode
G. Bradley Garvin
An old fisherman
Isaac Harper
John
Fredric Scheff
A Lawyer
Mary Ann McCormick
Fishwife
Emily Magee
Fishwife
Creative Team
Kenneth Kiesler
Conductor
Colin Graham
Stage Director & Set Designer
John Carver Sullivan
Associate Designer
Marie Anne Chiment
Costume Designer
Robert Wierzel
Lighting Stage
Donald Palumbo
Chorus Master
Marta Brennan
Assistant Director
Kevin Herr
Stage Manager
Jenny Wells
Assistant Stage Manager
Jennifer Siekert
Assistant Stage Manager
Tom Watson
Wig Master & Makeup
Dean Williamson
Repetiteur
Synopsis
A request made by the Composer in the program for the world premiere in 1945: The Management would be grateful if applause were reserved until after the final scene of each act, as the musical action is continuous.
The action takes place in the nineteenth century in The Borough (now known as Aldeburgh, or The Old Borough), a small fishing town on the east coast of England.
The Sea Interludes between each scene are intended to be psychologically descriptive as well as meteorological and each serves as a musical introduction to the following scene.
PROLOGUE
An inquest in the Moot Hall into the death of Grimes’s previous apprentice. Ellen offers Peter her support.
ACT ONE
Interlude 1: Dawn
On the Borough beach, a few days later, in spite of the Borough’s objections, Ellen volunteers to fetch Peter’s new apprentice from the workhouse. Balstrode tries to persuade Peter to marry Ellen and leave the Borough, but Peter’s pride forbids him to consider this.
Interlude 2: The storm
The townsfolk, including Peter whose visionary outburst arouses their unease, take refuge in Auntie’s pub, ” The Boar.” W hen Ellen and Hobson bring Peter’s new apprentice to him, the unease rises to an extreme antagonism.
ACT TWO
Interlude 3: Sunday morning
During church, Ellen (wrongly) accuses Peter of mistreating John, his apprentice. Peter cannot bear her apparent betrayal and their argument gives rise to a public demand for an explanation of Grimes’s ” exercise.” Spurning the women, the men go to seek him out.
Interlude 4:
A Passacaglia leads the way to Peter’s hut, where Peter arrives first with the boy. Peter has seen a large shoal they are to fish for, but the psychological shock of Ellen’s betrayal causes disturbing memories of his first apprentice’s death and his mind begins to fragment. The Borough’s arrival distracts Peter as he helps John to climb down the cliff, and the boy falls to his death.
ACT THREE
Interlude 5: Moonlight
A dance is in progress in the Moot Hall and the inebriated excitement turns too easily into a ferocious manhunt when Mrs. Sedley dis- closes what she has overheard from Ellen and Balstrode: Peter has returned, and the boy is not with him.
Interlude 6: Fog and judgment
Peter, hounded by guilt, betrayal and the manhunt, is completely deranged. Balstrode’s apparent betrayal is the final stroke and Peter puts out to sea with the intention of drowning himself. As dawn breaks, life in the Borough resumes as if nothing of any consequence had happened.
The sets, costumes and stage properties for PETER GRIMES have been underwritten by a major grant from the AT&T Foundation.
Opera Theatre is deeply grateful to Mr. & Mrs. Raymond Wittcoff form under writing the soloists for this production.
The services of the Saint Louis Symphony have been made possible by a much appreciated gift from Sally S. Levy.
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