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Madame Butterfly (1997)

A Japanese Tragedy in Two Acts

Music by Giacomo Puccini

Libretto by Giuseppe Giacosa and Luigi Illica after the story by John Luther Long and the play by David Belasco

English translation by Margaret Stearns and Colin Graham

Madame Butterfly was first performed at La Scala, Milan, on 17 February 1904, for one performance only.

This revised version was first given at Brescia on 28 May 1904.

Dates of Performance
May 24, 28, 30; June 7, 12, 15, 18 (matinée), 21 (matinée), 24, 28.

 

1997 Season
Madame Butterfly     Così fan tutte

Transformations     The Tale of Orpheus

 

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Cast

David Corman
Benjamin Franklin Pinkerton

 

David J. Cangelosi
Goro

 

Pamela Dillard
Suzuki

 

Gerald Dolter
Sharpless

 

Marie Piette
Cio-cio-san

Halina Avery
Her mother

 

Jye-Sung Moon
Her uncle, Yakuside

 

Elizabeth Shammash
Her aunt

 

Heather Johnson
Her cousin

 

Mark W. Uhlernann
The Imperial High Commissioner

Kevin Kees
The Official Registrar

 

Edward Russell
The Bonze

 

Marcus Deloach
Prince Yamadori

 

William Mihil
Sorrow

 

Jennifer Marquette
Kate Pinkerton

Creative Team

Stephen Lord
Conductor

 

Colin Graham
Original Production

 

David Roth
Revived by

 

Marie Anne Chiment
Director

Christopher Akerlind
Lighting Designer

 

Tom Watson
Wig & Makeup Designer

 

Cary John Franklin
Chorus Master

 

Mark Ferrell
Repetiteur

Peggy Stenqer
Stage Manager

 

Cristobel K. Kock
Assistant Stage Manager

 

Elise Sandell
Assistant Stage Manager

Synopsis

Ikeiton’s house, near Nagasaki
It is 1904, fifty years after Japan first admitted foreigners following two hundred years of isolation, and her people are still adapting to Western customs. Western men stationed in Japan have invented a custom of their own, sanctioned by Japanese law: temporary “marriages” which are nullified if the “husband” is absent for thirty days.

Benjamin Franklin Pinkerton, a lieutenant in the U.S. Navy, is entering into just such a “marriage” with a geisha called Cio-cio-san (Madame Butterfly). He is touring his new house with Goro, the marriage broker.

The first wedding guest to arrive is Sharpless, the American consul, who begs Pinkerton not to enter into the marriage so lightly; he has heard that Butterfly has taken the irrevocable step of renouncing her religion. Pinkerton cannot believe that a geisha would take the ceremony seriously.

Butterfly arrives with her friends and family, and the contract is signed. Suddenly, there is a great commotion as her uncle, the Bonze, appears and denounces her for forsaking her gods. Her family turns from her in horror, leaving her alone with her new husband and her maid, Suzuki.
Pinkerton consoles her, and they begin their wedding night with a rapturous duet.

Scene 1: Inside the house, three years later
When Pinkerton was recalled to America shortly after his marriage, he left Butterfly some money. Now, three years later, she and Suzuki are nearly impoverished.

Butterfly is so confident that her husband will return that she refuses an offer of marriage from Prince Yamadori, stating that she is bound by the laws of her adopted country.

Sharpless brings a letter from Pinkerton, asking him to break the news that he is indeed returning—but with an American wife. Butterfly is so delighted to hear of her husband’s return that Sharpless is unable to deliver the rest of the message. She shows him Pinkerton’s child, and, deeply moved, Sharpless leaves her.

A cannon is heard from the harbor—it is Pinkerton’s ship. In a fever of excitement, Butterfly and Suzuki decorate the house with flowers and settle down to wait for him as night falls.

 

Scene 2: Inside the house, the next morning
As dawn breaks, the calls of sailors are heard from the harbor. Butterfly is still watching for Pinkerton, but Suzuki convinces her to go and rest.
Sharpless arrives with Pinkerton and Kate, his American wife. Pinkerton realizes the depth of Butterfly’s devotion and is overcome with remorse. He rushes out, leaving Kate and Sharpless to face Butterfly.

They beg Suzuki to prepare her mistress for the blow, as Kate wishes to adopt the little boy. When Butterfly learns the truth, she asks only that Pinkerton himself come to fetch the child.

Left alone, she says a last farewell to her son and kills herself.

The services of the Saint Louis Symphony Orchestra are underwritten in part by a generous grant from the Bryant Group, Inc.

The appearance of Stephen Lord as conductor is supported by a generous gift from Mr. and Mrs. William B. McMillan, Jr.

Costumes are underwritten by a generous contribution from Mrs. Homer V. Howes.

The preview presentation of Madame Butterfly for St. Louis area seniors and students was made possible by Southwestern Bell Foundation.

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