Madame Butterfly (1997)
A Japanese Tragedy in Two Acts
Music by Giacomo Puccini
Libretto by Giuseppe Giacosa and Luigi Illica after the story by John Luther Long and the play by David Belasco
English translation by Margaret Stearns and Colin Graham
Madame Butterfly was first performed at La Scala, Milan, on 17 February 1904, for one performance only.
This revised version was first given at Brescia on 28 May 1904.
Dates of Performance
May 24, 28, 30; June 7, 12, 15, 18 (matinée), 21 (matinée), 24, 28.
1997 Season
Madame Butterfly Così fan tutte
Transformations The Tale of Orpheus
Photo Gallery
Cast
David Corman
Benjamin Franklin Pinkerton
David J. Cangelosi
Goro
Pamela Dillard
Suzuki
Gerald Dolter
Sharpless
Marie Piette
Cio-cio-san
Halina Avery
Her mother
Jye-Sung Moon
Her uncle, Yakuside
Elizabeth Shammash
Her aunt
Heather Johnson
Her cousin
Mark W. Uhlernann
The Imperial High Commissioner
Kevin Kees
The Official Registrar
Edward Russell
The Bonze
Marcus Deloach
Prince Yamadori
William Mihil
Sorrow
Jennifer Marquette
Kate Pinkerton
Creative Team
Stephen Lord
Conductor
Colin Graham
Original Production
David Roth
Revived by
Marie Anne Chiment
Director
Christopher Akerlind
Lighting Designer
Tom Watson
Wig & Makeup Designer
Cary John Franklin
Chorus Master
Mark Ferrell
Repetiteur
Peggy Stenqer
Stage Manager
Cristobel K. Kock
Assistant Stage Manager
Elise Sandell
Assistant Stage Manager
Synopsis
Ikeiton’s house, near Nagasaki
It is 1904, fifty years after Japan first admitted foreigners following two hundred years of isolation, and her people are still adapting to Western customs. Western men stationed in Japan have invented a custom of their own, sanctioned by Japanese law: temporary “marriages” which are nullified if the “husband” is absent for thirty days.
Benjamin Franklin Pinkerton, a lieutenant in the U.S. Navy, is entering into just such a “marriage” with a geisha called Cio-cio-san (Madame Butterfly). He is touring his new house with Goro, the marriage broker.
The first wedding guest to arrive is Sharpless, the American consul, who begs Pinkerton not to enter into the marriage so lightly; he has heard that Butterfly has taken the irrevocable step of renouncing her religion. Pinkerton cannot believe that a geisha would take the ceremony seriously.
Butterfly arrives with her friends and family, and the contract is signed. Suddenly, there is a great commotion as her uncle, the Bonze, appears and denounces her for forsaking her gods. Her family turns from her in horror, leaving her alone with her new husband and her maid, Suzuki.
Pinkerton consoles her, and they begin their wedding night with a rapturous duet.
Scene 1: Inside the house, three years later
When Pinkerton was recalled to America shortly after his marriage, he left Butterfly some money. Now, three years later, she and Suzuki are nearly impoverished.
Butterfly is so confident that her husband will return that she refuses an offer of marriage from Prince Yamadori, stating that she is bound by the laws of her adopted country.
Sharpless brings a letter from Pinkerton, asking him to break the news that he is indeed returning—but with an American wife. Butterfly is so delighted to hear of her husband’s return that Sharpless is unable to deliver the rest of the message. She shows him Pinkerton’s child, and, deeply moved, Sharpless leaves her.
A cannon is heard from the harbor—it is Pinkerton’s ship. In a fever of excitement, Butterfly and Suzuki decorate the house with flowers and settle down to wait for him as night falls.
Scene 2: Inside the house, the next morning
As dawn breaks, the calls of sailors are heard from the harbor. Butterfly is still watching for Pinkerton, but Suzuki convinces her to go and rest.
Sharpless arrives with Pinkerton and Kate, his American wife. Pinkerton realizes the depth of Butterfly’s devotion and is overcome with remorse. He rushes out, leaving Kate and Sharpless to face Butterfly.
They beg Suzuki to prepare her mistress for the blow, as Kate wishes to adopt the little boy. When Butterfly learns the truth, she asks only that Pinkerton himself come to fetch the child.
Left alone, she says a last farewell to her son and kills herself.

The services of the Saint Louis Symphony Orchestra are underwritten in part by a generous grant from the Bryant Group, Inc.
The appearance of Stephen Lord as conductor is supported by a generous gift from Mr. and Mrs. William B. McMillan, Jr.
Costumes are underwritten by a generous contribution from Mrs. Homer V. Howes.
The preview presentation of Madame Butterfly for St. Louis area seniors and students was made possible by Southwestern Bell Foundation.

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