Loss of Eden (2002)
Opera in Two Acts
World Premiere
Commissioned by Opera Theatre of Saint Louis and the Plymouth Music Series of Minnesota
Music by Cary John Franklin
Libretto by Michael Patrick Albano
Dates of Performance
???
2002 Season
The Magic Flute   Lucia Di Lammermoor
Loss of Eden   Hippolytus and Aricia
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Cast
Keith Phares
Charles Lindbergh
Kellie J. Van Horn*
Anne Morrow Lindbergh
Kristin Reiersen*
Elisabeth Morrow
Graham Michael Fandrei
Customs officer
Bryon Grohman
First immigrant
Mark Duffin*
Bruno Hauptmann
Brian Kontes
Second immigrant
David Sadlier*
Third immigrant
Brian Kontes
A minister
Bryon Grohman
A priest
Kristin Reiersen*
Reporter / Guest
Laurie Domingue Lester*
Reporter / Guest
Erin Elizabeth Smith*
Reporter / Guest
Cynthia Mallard*
Reporter / Guest
Bryon Grohman
Reporter / Guest
David Sadlier*
Reporter / Guest
Graham Michael Fandrei
Reporter / Guest
Brian Kontes
Reporter / Guest
Laurie Domingue Lester*
Charleston Singer
Erin Elizabeth Smith*
Charleston Singer
Cynthia Mallard*
Charleston Singer
*Company Debut
Creative Team
Philip Brunelle*
Conductor
Michael Patrick Albano
Stage Director
Karen TenEyck*
Set Designer
Marie Anne Chiment
Costume Designer
Mark McCullough*
Lighting Designer
Tom Watson
Wig & Makeup Designer
Kathryn LaBouff
English Diction Specialist
William Tracy*
Repetiteur
Maria Lamont*
Assistant Stage Director
Brett Finley
Stage Manager
Terry Lee
Assistant Stage Manager
*Company Debut
Synopsis
Scene 1 – 1910 · The Lindbergh farm, Minnesota. The adult Charles Lindbergh observes himself as a child and reflects upon his life.
Scene 2 – 1928 · Next Day Hill, Englewood, New Jersey. Anne Morrow confides in her sister Elisabeth that she is secretly engaged to the young pilot, Charles Lindbergh.
Scene 3 – Ellis Island · Richard Bruno Hauptmann worries that his lack of documentation will prevent his entry into the United States. He bribes another immigrant to obtain a passport and enters the country illegally.
Scene 4 – 1929 · Next Day Hill, Englewood, New Jersey. Members of the press gather outside the home of Dwight Morrow, the U.S. ambassador to Mexico. In the presence of her parents and family friends, Anne Morrow marries Charles Augustus Lindbergh.
Scene 5 – The Hauptmanns’ Tenement Apartment, New York · Hauptmann is irritated to see Anna waiting upon guests at her own wedding reception. Despite her protests, he insists that their married life will be free of domestic drudgery.
Scene 6 – 1930 · Forest Park, St. Louis. Seeking refuge from photographers, Anne and Charles reflect on the difficulty of living under public scrutiny. Left alone, Anne voices her hopes for her own future and that of her unborn child.
Scene 7 – 1932 · The Hauptmann apartment; the Lindbergh home, Hopewell, New Jersey. Anna Hauptmann berates her husband for his unexplained absences. Bruno alludes to vague business dealings that he hopes will make them wealthy. His obsession with material success is tempered by Anna’s desire for a child and a stable life. Meanwhile, the Lindberghs have moved into their nearly completed new home. When a noise is heard from the upper floor, Anne dismisses it as imagination—but later, it is discovered that the Lindberghs’ two-year-old child has disappeared.
Scene 8 – 1932 · Hopewell. Reporters aggressively question Anne for details of her child’s kidnapping. Charles is in anguish over being away when Anne received the news of their child’s death.
Scene 9 – 1934 · The Hauptmann apartment. Bruno Hauptmann’s behavior has become increasingly erratic and moody. When Anna questions his financial scheming, he turns violent. As he leaves the apartment, he is arrested by the police.
Scene 10 – 1935 · The courthouse, Flemington, New Jersey. Against the backdrop of legal proceedings in the kidnapping trial, Charles, Anne, and Anna Hauptmann voice their thoughts.
Scene 11 – 1936 · The state prison, Trenton, New Jersey; the Lindbergh home. Just hours before her husband’s execution, Anna Hauptmann is given Bruno’s clothes and personal possessions. Meanwhile, the Lindberghs plan to live abroad. As Anne confronts Charles with the weight of her unspoken grief, Bruno Hauptmann is executed.

The production is made possible by a generous gift from an anonymous donor.
We are grateful to the Andrew W. Mellon Foundation for their major support of this world premiere.
The commission is underwritten in part by OTSL’s Rudolph W. Driscoll Endowment for Contemporary Opera and the Whitaker Foundation.
Major commission and production support is provided by The National Endowment for the Arts.
Additional support is provided by American Airlines.

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