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Loss of Eden (2002)

Opera in Two Acts

World Premiere

Commissioned by Opera Theatre of Saint Louis and the Plymouth Music Series of Minnesota

Music by Cary John Franklin

Libretto by Michael Patrick Albano

Dates of Performance
???

 

2002 Season
The Magic Flute     Lucia Di Lammermoor

Loss of Eden     Hippolytus and Aricia

 

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Cast

Keith Phares
Charles Lindbergh

 

Kellie J. Van Horn*
Anne Morrow Lindbergh

 

Kristin Reiersen*
Elisabeth Morrow

 

Graham Michael Fandrei
Customs officer

 

Bryon Grohman
First immigrant

 

Mark Duffin*
Bruno Hauptmann

 

Brian Kontes
Second immigrant

David Sadlier*
Third immigrant

 

Brian Kontes
A minister

 

Bryon Grohman
A priest

 

Kristin Reiersen*
Reporter / Guest

 

Laurie Domingue Lester*
Reporter / Guest

 

Erin Elizabeth Smith*
Reporter / Guest

 

Cynthia Mallard*
Reporter / Guest

Bryon Grohman
Reporter / Guest

 

David Sadlier*
Reporter / Guest

 

Graham Michael Fandrei
Reporter / Guest

 

Brian Kontes
Reporter / Guest

 

Laurie Domingue Lester*
Charleston Singer

 

Erin Elizabeth Smith*
Charleston Singer

 

Cynthia Mallard*
Charleston Singer

*Company Debut

Creative Team

Philip Brunelle*
Conductor

 

Michael Patrick Albano
Stage Director

 

Karen TenEyck*
Set Designer

 

Marie Anne Chiment
Costume Designer

Mark McCullough*
Lighting Designer

 

Tom Watson
Wig & Makeup Designer

 

Kathryn LaBouff
English Diction Specialist

 

William Tracy*
Repetiteur

Maria Lamont*
Assistant Stage Director

 

Brett Finley
Stage Manager

 

Terry Lee
Assistant Stage Manager

*Company Debut

Synopsis

Scene 1 – 1910 · The Lindbergh farm, Minnesota. The adult Charles Lindbergh observes himself as a child and reflects upon his life.

Scene 2 – 1928 · Next Day Hill, Englewood, New Jersey. Anne Morrow confides in her sister Elisabeth that she is secretly engaged to the young pilot, Charles Lindbergh.

Scene 3 – Ellis Island · Richard Bruno Hauptmann worries that his lack of documentation will prevent his entry into the United States. He bribes another immigrant to obtain a passport and enters the country illegally.

Scene 4 – 1929 · Next Day Hill, Englewood, New Jersey. Members of the press gather outside the home of Dwight Morrow, the U.S. ambassador to Mexico. In the presence of her parents and family friends, Anne Morrow marries Charles Augustus Lindbergh.

Scene 5 – The Hauptmanns’ Tenement Apartment, New York · Hauptmann is irritated to see Anna waiting upon guests at her own wedding reception. Despite her protests, he insists that their married life will be free of domestic drudgery.

Scene 6 – 1930 · Forest Park, St. Louis. Seeking refuge from photographers, Anne and Charles reflect on the difficulty of living under public scrutiny. Left alone, Anne voices her hopes for her own future and that of her unborn child.

Scene 7 – 1932 · The Hauptmann apartment; the Lindbergh home, Hopewell, New Jersey. Anna Hauptmann berates her husband for his unexplained absences. Bruno alludes to vague business dealings that he hopes will make them wealthy. His obsession with material success is tempered by Anna’s desire for a child and a stable life. Meanwhile, the Lindberghs have moved into their nearly completed new home. When a noise is heard from the upper floor, Anne dismisses it as imagination—but later, it is discovered that the Lindberghs’ two-year-old child has disappeared.

Scene 8 – 1932 · Hopewell. Reporters aggressively question Anne for details of her child’s kidnapping. Charles is in anguish over being away when Anne received the news of their child’s death.

Scene 9 – 1934 · The Hauptmann apartment. Bruno Hauptmann’s behavior has become increasingly erratic and moody. When Anna questions his financial scheming, he turns violent. As he leaves the apartment, he is arrested by the police.

Scene 10 – 1935 · The courthouse, Flemington, New Jersey. Against the backdrop of legal proceedings in the kidnapping trial, Charles, Anne, and Anna Hauptmann voice their thoughts.

Scene 11 – 1936 · The state prison, Trenton, New Jersey; the Lindbergh home. Just hours before her husband’s execution, Anna Hauptmann is given Bruno’s clothes and personal possessions. Meanwhile, the Lindberghs plan to live abroad. As Anne confronts Charles with the weight of her unspoken grief, Bruno Hauptmann is executed.

The production is made possible by a generous gift from an anonymous donor.

We are grateful to the Andrew W. Mellon Foundation for their major support of this world premiere.

The commission is underwritten in part by OTSL’s Rudolph W. Driscoll Endowment for Contemporary Opera and the Whitaker Foundation.

Major commission and production support is provided by The National Endowment for the Arts.

Additional support is provided by American Airlines.

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