La bohème (1988)
An Opera in Four Acts
Music by Giacomo Puccini
Words by Giuseppe Giacosa and Luigi Illica based on Henri Murger’s novel, Scenes of Bohemian Life
La bohème was first performed at the Teatro Regio, Turin, on February 1, 1896.
First performance by Opera Theatre of Saint Louis May 19, 1978.
Dates of Performance
May 21, 25, 27; June 2, 5, 7, 11 (matinée), 18
Photo Gallery
Cast
Don Bernardini
Rudolfo
Gaetan Laperriere
Marcello
Kurt Link
Colline
Eric McCluskey
Schaunard
James Scott Sikon
Benoit
Kallen Esperian
Mimi
Gale Oxley
Parpignoal
Katherine Terrell
Musetta
Terry Hodges
Alcindoro
Tom Studebaker
A customs house sergeant
Creative Team
Hal France
Conductor
Linda Brovksy
Stage Director
Robert Perdziola
Set Designer
Marie Anne Chiment
Costume Designer
Peter Kaczorowski
Lighting Designer
Cary John Franklin
Chorus Master
Barbara Donner
Stage Manager
Dana Graham
Assistant Stage Manager
Tom Watson
Wig Master & Makeup
Ben Malensek
Repetiteur
Synopsis
It is late afternoon on a bleak Christmas Eve.
Marcello and Rudolfo try to work in their freezing attic; in a fruitless effort at warmth, Rudolpho burns the manuscript of a play he has written, page by page. Colline joins them and later Schaunard, who has had better luck with employment and brings with him money, food, wine, and firewood. Their celebration is interrupted by Benoit, demanding the rent, but he is quickly intimidated into leaving with- out it. They decide to repair to the Cafe Momus and Rudolpho promises to join them later. His work is interrupted by their neighbor, Mimi, who needs a light for her candle. Aided by a lost key and a draft that blows out her candle again, they surrender to an instant mutual attraction.
The world is celebrating Christmas Eve in the streets of Montmartre.
Rudolpho buys Mimi a new bonnet and introduces her to his friends at the Cafe Momus. Musetta, Marcello’s one-time girl friend, sweeps in with her current admirer, a rich and distinguished old councilor, Alcindoro. Marcello pre- tends not to notice her, which infuriates Musetta, who tries to attract his attention with a song. Everyone else’s attention is attracted, to Alcindoro’s embarrassment. To get rid of him Musetta sends him off to get her shoe repaired. Marcello is delighted by this ruse and the two are finally reunited. Just as Alcindoro returns, the others disappear to join a midnight celebration in the streets, leaving the old man to pay their bill.
Jealousy has separated Rudolpho and Mimi.
At dawn Mimi comes to the inn where Musetta and Marcello pursue their tempestuous affair; she tells Marcello of Rudolpho’s obsessive jealousy and that he has left her. As Rudolpho himself comes out of the inn, she hides and overhears their discussion. Rudolpho tells Marcello that Mimi is dying of consumption and that they must separate as her health can only deteriorate further in the poverty in which they are forced to live. He also accuses her of being false and fickle-hearted. Mimi’s coughing and weeping betray her presence, and Rudolpho hastens to console her. They remember happier days and vow, after all, to stay together- at least until the spring. Marcello and Musetta end their relationship with
a quarrel.
Months later, Marcello and Rudolpho are trying to work, but without success; both men are distracted by the absence of their loved ones. Colline and Schaunard try to cheer them up but Musetta arrives with the news that Mimi has collapsed on the landing and is dangerously ill. She is brought inside and everyone but Rudolpho leaves to find medicines and other things to comfort her. When they return, she is slam and appears to fall asleep. Her friends soon realize that she has died.
The sets and costumes for LA BOHEME have been underwritten by proceeds from the Saint Louis Opera Guild’s spring gala, “An Evening at Cafe Momus.” Opera Theatre gratefully acknowledges the support of the sponsors, benefactors and patrons.
The special matinee presentation of LA BOHEME for St. Louis-area senior citizens was made possible by a major grant from The Southwestern Bell Foundation.
Soloists for this production are sponsored by a generous gift from Bryant Planning Group, Inc.
The conductor is sponsored by a deeply appreciated gift from The Edward Chase Garvey Memorial Foundation.
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