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Faust (1998)

Opera in Four Acts

Music by Charles Gounod

Libretto by Jules Barbier and Michel Carre after Goethe’s drama Faust (Part One)

English translation by Edmund Tracey
Dialogues by Colin Graham

Mr. Tracey’s translation is used by arrangement with Boosey & Hawkes, Inc., agent in the U.S. for Josef Weinberger Ltd., London, publisher and copyright owner.

The chanson Maître Scarabée is used by arrangement with C. F. Peters, Inc. agents in the U. S. for Editions Choudens, Paris, publisher and copyright owner.

The first performance of the opera was given at the Théâtre Lyrique, Paris, on 19 March 1859 (with dialogues).

Dates of Performance
May 23, 27, 29; June 6, 11, 14, 17 (matinée), 20 (matinée), 23, 27

 

1998 Season
Faust     Don Pasquale

Arianna     Katya Kabanova

 

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Cast

John Fowler*
Faust

 

David Pittsinger*
Mephistopheles

 

Mary Mills*
Marguerite

Marcus DeLoach
Wagner

 

Valerie Komar*
Siebel

Franco Pomponi*
Valentin

 

Lori Hultgren*
Marthe

*Company Debut

Creative Team

Emmanuel Villaume
Conductor

 

Colin Graham
Stage Director

 

Erhard Rom
Set Designer

 

Robert Perdziola
Costume Designer

 

Christopher Akerlind
Lighting Designer

Victoria Morgan
Choreographer & Assistant Director

 

Bruce Longworth
Fight Director

 

Tom Watson
Wig & Makeup Designer

 

Cary John Franklin
Chorus Master

Ben Malensek
Repetiteur

 

Peggy Stenger
Stage Manager

 

Kimberly A. Stowers
Assistant Stage Manager

 

Laura R. Krause
Intern Assistant Stage Manager

Synopsis

The story takes place in a town in Germany ravaged by the Franco-Prussian war. On the eve of a decisive battle, the aging Faust searches fruitlessly for the meaning of life. Cursing God and calling on Satan to aid him, he resolves to poison himself. Mephistopheles appears and promises him a year and a day of regained youth in exchange for his soul. Tempted by a vision of Marguerite, Faust makes a blood pact with the devil and is transformed.

The young men celebrate their last night at home before going to war. Valentin entrusts his sister Marguerite to the care of Siebel while he is away. Wagner attempts a comic song but Mephistopheles interrupts, he predicts that both Wagner and Valentin will die – the former in battle, the latter at the hands of someone he loves. Valentin challenges Mephistopheles when he toasts Marquerite, but swords prove useless against the devil, who an arranges a meeting between Faust and Marguerite during the ensuing revelry.

A few days later, Marguerite returns home, preoccupied with thoughts of the young stranger who has been pursuing her. On her doorstep she finds a bouquet left for her by Siebel and a casket of jewels left by Mephistopheles as a gift from Faust. As intended, she is captivated by the jewels. Her friend Marthe urges her to accept them. Mephistopheles appears as a priest to console Marthe for her husband’s absence, and distracts her so that the field is clear for Faust to seduce Marguerite.

A year later, Faust has deserted the impoverished Marguerite; she still dreams of him, while shielding her baby from the taunts of the neighbors. When they hear the song of the returning army, Marguerite makes Siebel promise to tell Valentin nothing of Faust. Later that night Mephistopheles serenades Marguerite by proxy. Valentin challenges his sister’s seducer to a duel and is mortally wounded. As he dies, he curses his sister. Marguerite prays for Valentin’s soul in the cathedral where the devil answers her with terrible visions. Driven to madness, she accidentally stifles the baby and is thrown into prison. Faust’s time is running out, but Mephistopheles grants him a moment to try to rescue Marguerite from her punishment. Death and sacrifice provide salvation for both their
souls and the devil is defeated.

This production is supported in part by a major gift from an anonymous donor, whose continuing generosity is greatly appreciated.

Colin Graham’s engagement as stage director for Faust has been generously supported by an endowment gift from Sally S. Levy.

Ms. Mills’ debut appearances at OTSL are supported by an endowment gift from Mr. and Mrs. Monte C. Throdahl.

Mr. Pomponi’s debut appearances at OTSL are supported by an endowment gift from Mr. and Mrs. Donald L. Bryant, Jr.

The preview presentation of Faust for St. Louis area students and seniors was made possible by Southwestern Bell Foundation.

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