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Cinderella (1987)

A Comic Melodrama in Two Acts

Music by Gioachino Rossini

Text by Jacopo Ferretti, based on the fairy tale by Charles Perrault

English version by Arthur Jacobs
Critical edition by Alberto Zedda

The use of the Zedda critical edition by arrangement with Associated Music Publishers, Inc., U.S. agent for G. Ricordi & Co., Milan.

Cinderella was first performed at the Teatro Valle, Rome, on January 25, 1817.

Dates of Performance
June 5, 7, 10, 13 (matinée), 16, 18, 23

 

1987 Season
Carmen     Alcina

Cinderella     Beauty and the Beast

 

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Cast

Donna Zapola
Clorinda

 

Rhonda Jackson McAfee
Tisbe

 

Stella Zambalis
Angelina

Ronald Hedlund
Don Magnifico

 

Richard Croft
Ramiro

James Michael McGuire
Dandini

 

Kenneth Cox
Alidoro

Creative Team

Joseph Rescigno
Conductor

 

Francesca Zambello
Director

 

Neil Peter Jampolis
Designer

Peter Kaczorowski
Lighting Designer

 

Donald Palumbo
Chorus Master

 

Peggy Imbrie
Stage Manager

Fred Frumberg
Assistant Stage Manager

 

Tom Watson
Wig Master & Makeup

 

Jeffrey Huard
Repetiteur

Synopsis

Clorinda and Tisbe amuse themselves while Cinderella serves as the family maid. When Alidoro appears at the door disguised as a beggar, the selfish stepsisters insist that Cinderella turn him away. At that moment, Prince Ramiro’s cavaliers interrupt them to announce the prince’s imminent arrival. He will invite them all to a party at which he intends to select the most beautiful girl in the land as his bride. Magnifico, awakened by the commotion, scolds the girls for waking him from a beautiful dream in which his two daughters appeared as queens and he as a royal donkey. This dream is taken as a good omen, and all hurry off to prepare for the party.

The prince, disguised as his valet, Dandini, arrives alone to see the women of the household without their knowing who he is. He and Cinderella, each believing the other to be a servant, fall in love at first sight.

Dandini, disguised as the prince, comes to carry the sisters off to the ball. In spite of Alidoro’s insistence that there must be a third sister, Don Magnifico denies that she is still alive and refuses to listen to the pleas of Cinderella who does not want to be left behind. After they leave, Alidoro assures Cinderella that he has arranged for her to attend after all.

At the ball, Dandini appoints Don Magnifico steward of the Royal Cellars and he goes off to take full advantage of his new title. Tisbe and Clorinda flirt outrageously with the supposed prince, who then reports to Ramiro his negative opinion of the sisters. This confuses Ramiro, as Alidoro has spoken well of one of Magnifico’s daughters. The sisters, whose characters are being tested, are contemptuous of the suggestion that the unsuccessful candidate for the prince’s hand should marry his servant. During this discussion, an unknown, veiled beauty arrives; she is, of course, Cinderella. When she unveils, her family and the prince, who falls in love with her all over again, fail to recognize her. They all go in to supper.

Dandini, still posing as the prince, is by now infatuated with the unknown beauty and begs her to marry him. She declines, saying she is in love with someone else—the prince’s valet. At this the delighted Ramiro steps forward and she gives him one of a pair of matching bracelets. After she leaves, Ramiro once again takes charge and sends his courtiers far and wide to find his missing love.

At home again, the sisters are indignant that neither has been chosen as the prince’s bride and take out their disappointment on Cinderella, who bears a strong resemblance to the beauty of the ball. As a thunderstorm rages, the prince’s carriage overturns, and he is forced to take cover in Magnifico’s house. Cinderella recognizes Ramiro; he, in turn, recognizes her bracelet, and they leave together to be wed.

Don Magnifico and the sisters attend the wedding, though still resentful of Cinderella’s good fortune. Secure in her happiness, she announces that the punishment for her family’s selfishness and unkindness will be her forgiveness, and all are reconciled.

This production of Rossini’s Cinderella has been made possible by a generous and deeply appreciated gift from Marilyn and Sam Fox.

The special matinee presentation of Cinderella for St. Louis area senior citizens was underwritten by The Southwestern Bell Foundation.

The services of the Saint Louis Symphony Orchestra have been underwritten by Mrs. Clark R. Gamble.

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