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Black River (1994)

Opera in Three Acts

Music by Conrad Susa

Libretto by Richard Street and the composer

Produced by permission of E. C. Schirmer Music Company, Boston.
The lyrics to the Square Dance in Act Three are by H. Wesley Balk.

Black River was commissioned and premiered by the Minnesota Opera in St. Paul, 1 November 1975. These are the first performances of the composer’s latest revised version.

Festival Stage designed by Derek Mclane

Dates of Performance
June 16, 18, 22, 24, 26

 

1994 Season
Candide     Falstaff

Iphigenia in Tauris     Black River

 

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Cast

Robynne Redmon
Clara Gray

 

Mary Dunleavy
Lucy Gray Holland

 

Sharon Daniels
Pauline L’ Allemand

 

Brad Cresswell
Reverend Woods

 

Andrew Wentzel
Horace Gray / Jacob Spaulding

 

Thomas Studebaker
Ben Holland

 

Edwin Asa Miller
Colonel C.C. Pope

 

Benjamin Brecher
P.H. Howell

Charlene Marcinko
Hannah Cole

 

Steven Combs
Herr 6¼

 

Steven Paul Spears
Herr Drei

 

Steven Combs
Henri L’Allernand

 

John Stephens
Doctor Krohn

 

Steven Paul Spear
Léo Delibes

 

Michelle Wrighte
Miss Dorothy Snite

 

Michael Hendrick
High school principal

Dennis Wellman
Frank Holland

 

Kim Cheeseman
Mrs. Frank Holland

 

Edwin Asa Miller
Square dance caller

 

Robert McLoud
Dudley Gray

 

Monica Bellner
Mrs. Dudley Gray

 

Lester Lynch
Bartender

 

Anthony Dean Griffey
Thomas Wood

 

Timothy Truschel
Andrew Wood

Creative Team

Randall Behr
Conductor

 

Linda Brovsky
Stage Director

 

John Boesche
Set & Projection Designer

 

Marie Anne Chiment
Costume Designer

Christopher Akerlind
Lighting Designer

 

Victoria Morgan
Choreographer

 

Tom Watson
Wig & Makeup Designer

 

Cary John Franklin
Chorus Master

Stephen Dubberly
Repetiteur

 

Cheryl Tierney Horne
Stage Manager

 

Eric Millner
Assistant Stage Manager

 

Ann Minner
Assistant Stage Manager

Synopsis

Black River Falls, Wisconsin. Early spring 1899
On a clear spring night, three women are united for a moment in crisis and suffering: Clara Gray, a lonely, drug-addicted housewife; Lucy Holland, her eighteen-year-old stepdaughter, pregnant and recently widowed; and Pauline L’Allemand, a faded opera singer committed to the Mendota State Mental Hospital.

Scene 1
The Church, Pentecost Sunday. Spring 1898
As Reverend Woods extols the heavenly rewards awaiting a life of misery and toil, Clara remembers a day twelve years earlier when her four-year-old son Jeremy drowned in the Black River.

Scene 2
The same Pentecost Sunday
Ben Holland and Lucy contemplate their own innocent visions of married life in sharp contrast to the bleak reality of the relationship of Clara and Judge Horace Gray.

Scene 3
The bar of the Shanghai Hotel
Ben is treated to an impromptu performance of “The Founding of Black River Falls” starring C. C. Pope and P. H. Howell, two Civil War veterans, while Horace impersonates the town’s ruthless founder, Jacob Spaulding. Suddenly overcome by anguish over his family situation, Horace warns Ben to be a loving and kind husband to Lucy.

The Mendota State Hospital, evening. One month later.
Pauline L’Allemand recalls the last performance of her operetta, Die Kappe des Confucius (The Cap of Confucius), and the evening she told her young son Edgar about buying land in Wisconsin. Dr. Krohn, a Mendota staff physician, interrupts her reverie to suggest that she share her musical gifts with the other patients as part of her therapy. When she refuses, Pauline is locked in her room. In an effort to understand her present degradation, Pauline relives her colorful life as a singer, her move to Black River Falls, and her ultimate commitment to Mendota.

Scene 1
A boat landing by the river. A June evening, a few days later.
Lucy reveals her impatience with life in Black River Falls and her budding romance with Ben Holland.

Scene 2
Black River High School. Graduation Day.
The principal and Miss Dorothy Snite, Lucy’s teacher, lead the class in commencement exercises, only to have Clara disrupt the festivities in a state of hysteria. The class disperses, leaving Lucy alone to vent her rage at Clara and her desire for escape through a loveless marriage to Ben.

This production is made possible by a major gift from Rudolph W. Driscoll, whose continued generosity is greatly appreciated.

Sets and costumes for Black River are underwritten by a major gift from Sally S. Levy.

This revised version of Black River has been supported by generous grants from the National Endowment for the Arts, New American Works Program, and The Forrest C. Lattner Foundation.

Mr. Behr’s appearance as conductor is made possible by a gift from Mr. and Mrs. Robert L. Scharff, Jr.

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