Black River (1994)
Opera in Three Acts
Music by Conrad Susa
Libretto by Richard Street and the composer
Produced by permission of E. C. Schirmer Music Company, Boston.
The lyrics to the Square Dance in Act Three are by H. Wesley Balk.
Black River was commissioned and premiered by the Minnesota Opera in St. Paul, 1 November 1975. These are the first performances of the composer’s latest revised version.
Festival Stage designed by Derek Mclane
Dates of Performance
June 16, 18, 22, 24, 26
1994 Season
Candide   Falstaff
Iphigenia in Tauris   Black River
Photo Gallery
Cast
Robynne Redmon
Clara Gray
Mary Dunleavy
Lucy Gray Holland
Sharon Daniels
Pauline L’ Allemand
Brad Cresswell
Reverend Woods
Andrew Wentzel
Horace Gray / Jacob Spaulding
Thomas Studebaker
Ben Holland
Edwin Asa Miller
Colonel C.C. Pope
Benjamin Brecher
P.H. Howell
Charlene Marcinko
Hannah Cole
Steven Combs
Herr 6¼
Steven Paul Spears
Herr Drei
Steven Combs
Henri L’Allernand
John Stephens
Doctor Krohn
Steven Paul Spear
Léo Delibes
Michelle Wrighte
Miss Dorothy Snite
Michael Hendrick
High school principal
Dennis Wellman
Frank Holland
Kim Cheeseman
Mrs. Frank Holland
Edwin Asa Miller
Square dance caller
Robert McLoud
Dudley Gray
Monica Bellner
Mrs. Dudley Gray
Lester Lynch
Bartender
Anthony Dean Griffey
Thomas Wood
Timothy Truschel
Andrew Wood
Creative Team
Randall Behr
Conductor
Linda Brovsky
Stage Director
John Boesche
Set & Projection Designer
Marie Anne Chiment
Costume Designer
Christopher Akerlind
Lighting Designer
Victoria Morgan
Choreographer
Tom Watson
Wig & Makeup Designer
Cary John Franklin
Chorus Master
Stephen Dubberly
Repetiteur
Cheryl Tierney Horne
Stage Manager
Eric Millner
Assistant Stage Manager
Ann Minner
Assistant Stage Manager
Synopsis
Black River Falls, Wisconsin. Early spring 1899
On a clear spring night, three women are united for a moment in crisis and suffering: Clara Gray, a lonely, drug-addicted housewife; Lucy Holland, her eighteen-year-old stepdaughter, pregnant and recently widowed; and Pauline L’Allemand, a faded opera singer committed to the Mendota State Mental Hospital.
Scene 1
The Church, Pentecost Sunday. Spring 1898
As Reverend Woods extols the heavenly rewards awaiting a life of misery and toil, Clara remembers a day twelve years earlier when her four-year-old son Jeremy drowned in the Black River.
Scene 2
The same Pentecost Sunday
Ben Holland and Lucy contemplate their own innocent visions of married life in sharp contrast to the bleak reality of the relationship of Clara and Judge Horace Gray.
Scene 3
The bar of the Shanghai Hotel
Ben is treated to an impromptu performance of “The Founding of Black River Falls” starring C. C. Pope and P. H. Howell, two Civil War veterans, while Horace impersonates the town’s ruthless founder, Jacob Spaulding. Suddenly overcome by anguish over his family situation, Horace warns Ben to be a loving and kind husband to Lucy.
The Mendota State Hospital, evening. One month later.
Pauline L’Allemand recalls the last performance of her operetta, Die Kappe des Confucius (The Cap of Confucius), and the evening she told her young son Edgar about buying land in Wisconsin. Dr. Krohn, a Mendota staff physician, interrupts her reverie to suggest that she share her musical gifts with the other patients as part of her therapy. When she refuses, Pauline is locked in her room. In an effort to understand her present degradation, Pauline relives her colorful life as a singer, her move to Black River Falls, and her ultimate commitment to Mendota.
Scene 1
A boat landing by the river. A June evening, a few days later.
Lucy reveals her impatience with life in Black River Falls and her budding romance with Ben Holland.
Scene 2
Black River High School. Graduation Day.
The principal and Miss Dorothy Snite, Lucy’s teacher, lead the class in commencement exercises, only to have Clara disrupt the festivities in a state of hysteria. The class disperses, leaving Lucy alone to vent her rage at Clara and her desire for escape through a loveless marriage to Ben.

This production is made possible by a major gift from Rudolph W. Driscoll, whose continued generosity is greatly appreciated.
Sets and costumes for Black River are underwritten by a major gift from Sally S. Levy.
This revised version of Black River has been supported by generous grants from the National Endowment for the Arts, New American Works Program, and The Forrest C. Lattner Foundation.
Mr. Behr’s appearance as conductor is made possible by a gift from Mr. and Mrs. Robert L. Scharff, Jr.

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