Beauty and the Beast (1987)
An Opera in Two Acts
Music by Stephen Oliver
The text is taken from the story by Mme. Le Prince de Beaumont (1756) as translated into Italian by Carlo Collodi and into English by the composer.
By arrangement with Theodore Presser Company, sole agents for Novello and Company Ltd., England, publisher and copyright owner.
The eight-member ensemble for Beauty and the Beast was specially selected and independently contracted by Opera Theatre of Saint Louis.
Beauty and the Beast was first performed at the Monastery of Santa Croce, for the Musica nel Chiostro Opera Festival, Batignano, Italy, July 1984.
American Premiere
Dates of Performance
June 11, 13, 17, 19
1987 Season
Carmen   Alcina
Cinderella   Beauty and the Beast
Photo Gallery
Cast
Victoria Livengood
Beauty
Constance Haumen
The Younger Sister
Robynne Redmon
The Eldest Sister
Andrew Wentzel
The Merchant
Ruth Golden
The Fairy
John Brandstetter
The Beast
Jason Hurd
The Flute
Robert Souza
The Trumpet
Robert Coleman
The Clarinet
Barbara Hedlund
The Violoncello
John McClellan
The Guitar
Tom Gligoroff
The Keyboard
Rebecca Boyer
The Bowed Psaltery & Hurdy-gurdy
John Kasica
Percussionists
Alan Schilling
Percussionist
Creative Team
Hal France
Conductor
Colin Graham
Stage Director
Marie Anne Chiment
Designer
Peter Kaczorowski
Lighting Designer
Samuel J. Smith
Assistant Stage Director
Barbara Donner
Stage Manager
G. Michael Trupiano
Assistant Stage Manager
Tom Watson
Wig Master & Makeup
Tom Gligoroff
Repetiteur
Synopsis
A letter is delivered to an impoverished merchant, announcing the arrival in port of a vessel carrying a rich cargo which is known to be his. His two elder daughters, vain and selfish, beg him to bring them new dresses and fashionable bonnets from the city. Beauty, his youngest and favorite daughter, not wishing to appear critical of her sisters by asking for nothing, asks for a rose, “for here they are a kind of rarity.”
The Merchant loses everything in a suit at law and, returning home through the forest, loses his way in the storm and is led by a fairy to take refuge in a mysterious and deserted palace where everything seems to be arranged for his comfort. Not long morning, he plucks a rose to take home to Beauty and is confronted by the Beast who spares his life only on condition that he will send one of his daughters to die in his place. Beauty insists on accompanying the Merchant herself to the Beast’s palace where, full of misgivings, her father leaves her, “half-dead with fear.”
Three months later, Beauty is living a quiet life of lonely contentment in the Beast’s demesne. Every night the half-man, half-beast asks her to marry him. Every night she refuses him, though she pities his predicament. From the kindness of his heart, he allows Beauty to visit her ailing father, exacting from her a promise to return in seven days. The promise is soon forgotten in the complications at home: Beauty finds her father ailing, in the belief that he has been the cause of her death, and the two sisters have made disastrous marriages. All three prevent Beauty from fulfilling her vow until the Fairy who watches over the Beast as well as his Beauty, reminds her of the Beast in a dream. He is dying in his garden from a broken heart. When Beauty returns by supernatural means and assures him that she loves him enough to marry him, to her amazement, the prince is released from his enchantment. The Fairy appears to bless their union, the reward of a warm and generous heart, and to impose eternal punishment on those whose hearts are forever full of envy and malice.
“And so the prince married Beauty, and happily lived ever after: their happiness proved of long endurance, because it was born of generous love.”
This production has been made possible by a much appreciated gift from Rudolph W. Driscoll.
The costumes for this production were underwritten by a generous gift from Mrs. Homer V. Howes.
The sets for this production have been underwritten, in part, by The Burlington Northern Foundation.
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