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A Quick Guide to Important Opera Terms

What is a voice type? It is a classification system that defines qualities such as vocal range used to determine which roles or songs would be a good fit for a singer.

What is a vocal range? It is all the musical notes a singer’s voice can sing spanning from their highest to lowest.

Let’s look at some examples of the various operatic voice types!

Soprano: highest female voice type – young boys may also fall into this category

Example: Musetta’s aria “Quando m’en vo” in La bohème

Mezzo-Soprano: middle range female voice type

Example: Rosina’s aria “Una voce poco fa” in The Barber of Seville

Contralto: lowest female voice type

Example: Famous contralto Marian Anderson performing “Didn’t It Rain” and “He’s Got the Whole World in His Hands”

Countertenor: highest male voice (also falls in the female range)

Example: Tolomeo’s aria “L’empio, sleale, indegno” from Julius Caesar

Tenor: the next highest male voice

Example: Rodolfo’s aria “Che gelida manina” from La bohème

Baritone: middle male voice type

Example: Figaro’s aria “Largo al factotum” from The Barber of Seville

Bass: lowest male voice type

Example: Colline’s aria “Vecchia zimarra, senti” from La bohème

Common Terms

Click on the term to view an example!

Aria: A solo song in an opera or operetta (all of the above examples are arias)

Coloratura: Vocal writing that shows off a singer’s agility through many fast and complicated passages.

Duet: A song performed by two musicians.

Ornaments: The embellishment of a melody, either by adding notes or by modifying rhythms.

Overture: The orchestral prelude at the beginning of the opera, sometimes introducing musical themes to be heard later in the performance.

Patter Song: A fast aria with many words, usually funny and difficult to sing.

Tempo: The speed or pace of music.

Recitative: A free-style declaration usually “sung-spoken” as an introduction to an aria or chorus that moves the story forward.